Fumbling Towards Ecstasy (Legacy Edition) is a three disc re-release of McLachlan's 1993 album of the same title; her 1995 live recording, Freedom Sessions; and a DVD of a live show filmed in 1994.
...her followup solo effort, 10 Cent Wings, is filled with the sort of sly phrases and lush pop arrangements that made the Story so enjoyable. At times Brooke stretches her literary conceits too far, but her keyboardist/producer/arranger/husband Alain Mallet always wraps her appealing melodies in quirky, thickened chamber-pop arrangements. On the best songs--most notably "Glass Half Empty" and "Last Innocent Year"--Brooke has recovered the momentum of a most promising career. --Geoffrey Hime
Formed in 1997, Trespassers William have released three albums. Anchor (1999) appeared on Sonikwire Records and is now out of print. Different Stars surfaced as a self-release in 2002 and was re-released twice—most recently on Nettwerk Records on October 19, 2004. In early 2004, the band relocated from Southern California to Seattle, WA. Their latest album, Having, was released February 28, 2006. The band's music has received modest press coverage and exposure, most notably in the television shows The O.C. and One Tree Hill. 
After carving a critically acclaimed but under-selling niche for herself on acoustic guitar, Kendall Payne received the gift of a piano from her new husband, and tapped into rich new expressions of creativity. With more of a stripped down vibe than earlier projects, Paper Skin retains the intense passion and reflective power we’ve always appreciated in Payne. Skin thoughtfully examines issues of trust, relationships, and pain, always with a deep honesty overlooking none of life’s complexities. - Kevan Breitinger
The marching click of typewriter keystrokes finds itself right at home amidst ominous piano pieces and symphonic heartbreak in this alternately tragic and lush score. Ironically, Dario Marianelli's compositions shine brightest in the darkest spaces of war; there, sweeping violins evoke the eerie isolation of post-battle carnage and survival. Meanwhile, piano solos by Jean-Yves Thibaudet reek of romantic havoc. The theme throughout is longing, a concept which, in the end, makes Atonement wrenching aural proof that parting is indeed such sweet sorrow. 
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